“His art frequently explored faith and homeland. It could also be lyrical, poetic, and playful particularly in his abstract pieces,” says daughter Marsha Ribeiro. “Everything was a canvas to him. Even the walls of our house bore his artistic touch.”

Marsha Rebeiro

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He later moved to London to stay with his half-brother, Francis Newton Souza, who by that time was already established as a prominent artist. “Ribeiro helped his brother as his studio assistant in the mid-sixties and so naturally similarities arose, particularly in the landscapes,” she says. “There are similarities in the early drawings, such as 1962’s head exhibited at Akara. Their styles also converge in some of the early landscapes and icon-like heads, with both artists referencing their Roman Catholic Goan roots.”

Later on, Ribeiro’s personal expression started becoming more evident in his works. “When you look at his paintings closely, they are quite distinct from Souza’s,” says Puneet Shah, the founder of Akara Art and the curator of the exhibition. “There are thematic similarities, but the rendering is completely different; the visuals are softer, and not so explicit or provocative.”

The paintings on view at Akara Art showcase the early Goan influences, townscapes, and heads that the artist was known for in his six-decade-long career

From 1963 onwards, his style, Marsha says, started becoming representative of his individual expression. The theme of the exhibition, “Impulsive, Compulsive: The Art of Lancelot Ribeiro”, she says, harks back to his obsession to go on painting. “The context of that quote comes from an undated diary entry ‘painting impulsively, compulsively, endlessly, tired, tirelessly with or without joy’,” Marsha says.

WHAT: Impulsive, Compulsive: The Art of Lancelot Ribeiro
WHEN: Till March 02, 11 AM to 6.30 PM (Closed on Mondays and Sundays)
WHERE: Akara Art, Colaba