The reason for this oversight, as he explains in his book, is that speechmaking is often erroneously confused with the "human faculty of speech". "Most people think that speechmaking existed since time immemorial," he writes. But Dutta argues that like journalism, it was a change in the "thinking pattern" that led to the rise of speechmaking in India, and which he says came into its own, only in the 19th century. Here, he gives credit to Raja Ram Mohan Roy (1772-1833), often known as the Father of the Indian Renaissance, for exposing Indians to the gift of prose. "Before the coming of the British, much of our literature used to be poetry or verse. Prose became a dominant form only during the Colonial Era. And it began with Roy. We have only two speeches, that too only half of them on record, but he was the first person to write analytical pieces on contemporary events, including judicial and revenue reforms, and press freedom. For me, he, along with Dwarkanath Tagore, are the Pioneers of Oratory," he says.

The book opens with Roy, and covers the period till before the Independence of India, with significant voices from the Bombay Presidency. In Mumbai, then Bombay, Dutta says Bal Gangadhar Shastri Jambhekar (1812-1845), was the first to take "baby steps into oratory". He co-founded the bilingual newspaper, The Bombay Durpan, which aimed to "open a field for free and public discussion on points connected with the prosperity of this country, and happiness of its inhabitants". Naoroji Furdunji and Dadabhai Naoroji were other seminal orators, followed by Badruddin Tyabji, Pherozeshah Mehta and Kashinath Trimbak Telang, all barristers. "Bombay had a very independent outlook, and was the centre of commerce. If you read the speeches of Mehta, or Telang, you will realise that they were mostly interested in policy matters. Some, even tried to make substantial intervention in the policy. But often due to the obdurate British bureaucracy, their suggestions were not accepted. Nevertheless, their contribution cannot be ignored," he says. For instance, in a speech at the Town Hall in 1871, Mehta asserted that the Bombay Municipal Corporation ought to be founded on a "larger popular basis". It would be another four years before Dossabhoy Framji was nominated as the chairman of corporation, the first Indian to occupy the post. The Marathi Brahmins of Poona—Mahadev Govind Ranade and Bal Gangadhar Tilak—closely followed in their footsteps. "We cannot overlook the role they played in the growth of the spirit of representative government," says Dutta, who spent several months leafing through the digitised archives in the National Digital Library of India, as many of the book, comprising these speeches, were long out of print. "Oratory is often described as an art. But, while the purpose of art is to amuse, our speeches achieved something greater—it paved the way for independent India."

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