The fest wants to relive the magic of churning a film through a projector

The special programme at Serendipity is not an extension of the 16mm festival but rather its own curation. Talwar adds, "We're not hung up on making a property out of this. Why we do what we do is more important. We have found partners in Kodak, LaborBerlin, GoetheInstitut and now Serendipity. Collaborating makes it survive, keeps our principles in place and lets us take it to an entirely new audience. It enables this to become bigger without selling out to some alcohol brand."

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In contrast to the 16mm in Mumbai, where the approach is international, at Serendipity, the thrust will be on Indian experiments on film. Works by a cross section of Indian makers like Ashim Ahluwalia, Akbar Padamsee, Shai Heredia and Ashish Avikunthak will be showcased. "There are more than 20 films, a handmade film workshop, including one that enables young makers to make a one-minute film on 16mm film," says Talwar.

Karan Talwar

Film to catch

Events in a Cloud Chamber
In 1969, artist Akbar Padamsee made this visionary 16mm film—the only Indian experimental film he ever made. The print is now lost and no copies exist. Over 40 years later, filmmaker Ashim Ahluwalia worked with Padamsee, now 89, to remake the film. "It celebrates the beauty of celluloid. I'm just looking to the past to find inspiration because there were so many productions that started but were never finished," says Ahluwalia.

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