Gun Island talks of climate change, displacement and unstoppable transition. The idea came from Penguin Random House India's design head, Gunjan Ahlawat, and Rao later came on board. "Nature and the environment hold a prominent place in Ghosh's works, so the Penguin team decided they would be well represented by botanical illustrations. I was given an excerpt to get a sense of the themes, and their design team settled on the motif of the snake, which is central to the novel. They sent me the typographic layout, and I worked with that, wrapping the snake in around the letters. I added flaura from the Sunderbans to brighten it up. They then decided to use a similar style to re-jacket his older novels."

Nirupa Rao in her studio

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The illustrator, who has studied sociology, and only decided to take up illustration seriously four years ago, says that the turning point came when she collaborated with her cousin, who is a botanist and worked on some sketches. "I always loved drawing, but never studied it. But I was into nature, because there are so many botanists in my family. Then, I did an online course, and worked on my first book, Pillars of Life: Magnificent Trees of the Western Ghats, in collaboration with Divya Mudappa and TR Shankar Raman," she says.

Unlike countries such as Japan and South Korea, where the profession is an established one, in India, she is among the handful, experimenting with it. The artist, who confesses she spends most of her time in museums when she travels, says since nature is all around, especially in cities like Bengaluru, there is abundant inspiration. "Even a little sapling coming out of concrete is inspirational. You just have to pay attention to what's around you." A fan of French post-Impressionist artist Paul Gauguin and old Japanese paintings, Rao thinks her strengths lie in getting the details right. "My work is informed by regular field visits into the jungles, though of course I also supplement these with online references. The point is to be as accurate as possible."

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