The School Faculty/Project team included Dr Shilpa Phadke, Dr Faiz Ullah and Dr Shilpi Gulati, along with project Associates, Rashmi Lamba and Dr Sunitha Chitrapu. I had the honour of serving on the report’s Advisory Committee: for me, this was a confluence of deep interests—film and gender issues—I’m also vice chairperson, Point of View, the not-for-profit that has amplified women’s voices through popular media for 27 years.

The study did an in-depth, shot-by-shot analysis of 35 films—25 box office topper Hindi films of 2019 and 10 women-centric films, including those directed by women/gender fluid individuals, made between 2012-19. This was to focus on the significant period following Nirbhaya’s gangrape and death in 2012; the passing of the Prevention, Prohibition and Redressal of Workplace Sexual Harassment (POSH) Act in 2013, and the Supreme Court’s reading down of Section 377 of the IPC, that criminalised homosexuality, in 2018. They conducted six studies: three quantitative studies examining the representation of women onscreen, crew behind the screen, and women in other parts of the film ecosystem. And three qualitative studies, examining the experiences of women and queer directors, screenwriters, and young online film critics. 

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The Indian Media and Entertainment industry was worth Rs 2.1 trillion (US$26.2 billion) in 2022, with film being eight per cent of this, along with TV, etc, according to a FICCI-Ernst and Young report, 2023. The study found that in box office topper films, 72 per cent of film characters were played by cis-males (males), 26 per cent by cis-females (females) and 2 per cent by queer characters. Whereas in women-centric films, though 58 per cent characters were male, there were 36 per cent female characters and 7 per cent LGBTQIA+ characters. In box office topper films, 90 per cent of the romantic co-leads were female characters, but women-centric films featured a majority of women as leads and co-leads. Only 36 per cent of box office topper films passed the Bechdel Test (with at least two women characters, with names and speaking parts, who speak about anything other than a man), whereas 100 per cent women-centric films passed the test. Women centric films had greater diversity of subjects, dealing with relationships, sexuality, motherhood and other issues.

The report’s numerous recommendations include that film institutes and the industry offer scholarships and mentoring to encourage more women working in film. As Bina Paul, co-founder of the Women in Cinema Collective (WCC), Kerala, formed after a horrific #MeToo incident involving top actor Dileep, reminds us: following a WCC petition, the Kerala High Court directed the state’s film production houses to form internal complaints committees as per the POSH Act. Moreover, the Kerala state government has granted R3 crore each year to fund films by women directors since 2019. 

So impossible is nothing. Where there’s a will, there can be a well-aimed kick in the butt.

Meenakshi Shedde is India and South Asia Delegate to the Berlin International Film Festival, National Award-winning critic, curator to festivals worldwide and journalist. 
Reach her at meenakshi.shedde@mid-day.com