This paper also reported about a fibreglass sculpture of a Koli fisherman which was recently inaugurated at Worli sea face. The work is public art which aims to be a conversation starter among the citizens. The artist, in the report, has been quoted saying that he is delighted with the space given to his work, with which locals can make a connection.

In both reports, there are several commonalities, the most striking being an effort to make art or history resonate with the public. We must see a healthy respect for our monuments and public artworks from locals. Vandalism, degrading comments scratched on the artworks or even attempts to extract pieces shows tremendous disrespect and insensitivity to the richness around you.

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In the Worli sea face example, the work does not have any barriers or fences like ropes and chains to keep observers at a distance. We can only hope it stays safe.

The conversation it starts may very well be criticism or appreciation, but it should always have a dose of acknowledgement of the effort that went in its creation. Learn and debate if you must, but do not destroy.

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