Avanti Patel

The show, Patel shares, evolved out of her love for these forms of music. “I’ve enjoyed studying thumri and ghazal over the years. I’ve always wanted to do something with these forms in the commercial space because I feel that they get lost over time. It’s not just that the music is lost, there’s so much musical history that fades away along with it. The show is an attempt to revive this,” she tells us. The vocalist explains that the gaanewalis, along with nachnewalis, thrived from the late 1800s to the early 1900s. Often tagged as tawaifs, these highly educated women mastered music and dance, and held financial and sexual autonomy. “Modern history has reduced them to sex workers. It’s not that they didn’t do sex work. Imagine it like a contractual marriage with a rich patron, who would pay them and look after their daily affairs. The women were responsible for entertaining their patron and the latter’s guests, through music and dance. They were well-respected in society,” she elaborates. 

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However, pressures from the British Raj, coupled with the growing Indian nationalist movement, led to their downfall. From the 1930s, there were bills that demanded the shutting of kothas and performances by tawaifs, Patel reveals. Their contributions to the freedom struggle — they were known to hold secret meetings for independence leaders in their kothas or hide weapons — were also maligned. “In many concerts during the freedom struggle, they would end with patriotic songs. These were their ways of contributing to the movement. But they weren’t credited for that. They were not looked at as the image of the new India,” she points out.

During the show, the performers will introduce the musical forms developed by the gaanewalis and delve into how to engage with them. The audience will be regaled with stories and anecdotes that narrate the history of gaanewalis, along with eight to nine compositions. The musical pieces are themed around love, longing and separation. “While tracing these genres, we’ll also recall the contributions of women performers like Gurtu and Begum Akhtar, who were not categorised as tawaifs, although their lives followed a similar trajectory. By then, the word tawaif was so maligned that performers wouldn’t use it at all,” Patel shares. In fact, the term gaanewali has historically been considered a slur, too. “By naming the show after them, we hope people stop considering the word an insult,” 
she adds.

On: March 5; 7 pm
At: Art & Charlie, Bandra West
Log on to: artandcharlie.com or ticketkhidakee.com
Cost: Rs 650 (for the Bandra show)