Tell us a bit about the historical significance of Kabir’s poetry.
I must preface my response by confessing that by no means am I a scholar of Kabir’s poetry. I have come to know the little that I do about Kabir’s poetry more through his dohas and padas, which have been sung by musicians for generations, than from having studied literature. It is widely believed that Kabir passed away in the early part of the 16th century. He is considered to be one of the most prominent saint-poets of the Bhakti movement, who lived six centuries ago. In his lifetime, it is believed that his poems were passed on orally to his disciples and followers, and were committed to writing and publishing several centuries after his passing. It is therefore difficult to say which of the verses and couplets attributed to him were indeed written by him. And yet, for centuries, musicians in India as well as artistes from across the world have continued to sing his poems in different genres and styles of music. I too am one of countless such musicians who have been drawn to singing Kabir’s bani. 

What, according to you, are some of the most appealing facets of his poetry?
Kabir’s verses are multi-layered. They are at once, charming, simple songs, often of love and peace. But scratch the surface, and much deeper, philosophical truths are laid bare for those who wish to explore them. This is one of the most fascinating aspects of his poems for me.