The band playing together at a previous event 

Born during the Bhakti Movement between the 13th and 16th centuries, Marathi abhangs capture a wide genre of subjects from social justice and humanism to spirituality. Deorukhkar reveals that the poems affected the band just as much as the influence of Indian Ocean, Swarathma or the classic Led Zeppelin. “The idea was to introduce these poems to a millennial generation,” Mhaske points out.

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The  complexity of the poems also meant careful research, conversations with keertankars (traditional singers) and poets, Tarphe describes. “Each person brought their own perspectives of the songs. In the end, all these elements coloured our creation process,” he notes. The album is a mix of genres and composition styles. Sant Tukaram’s Lahanpan dega deva shapes into a pleasing pop-synth track, while Sant Tukdoji’s Kashala kashi jato re baba is coloured with soft-rock rhythms.

Deorukhkar clarifies that their music defies genres. Sharing the example of Bhoot jabar from their latest album, the drummer explains how the bharud (folk genre) form transformed into reggae rhythms that also use spoken verses and a non-structured composition style. “Ours is not a genre-specific music but rather an effort to connect with people, and to get them to respond to the songs,” he adds.

Currently, the band is working on their next album, which they plan to release in 2023. This time, they hope to include Sant Kabir, Bulle Shah and Sant Namdev’s verses in Punjabi. Deorukhkar says, “All these poets urge that if you look at the world with love, you will see past the differences of humanity.” Bob Marley would agree.  

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