(From left) Aamir Ismail, Shubhangi Joshi, Nishant Nair and Titus Pinto

But this album is more of a representation of Joshi's exposure to music, which started with Bollywood songs from the '50s and '60s when she was growing up in Delhi, to tinkering around with the harmonium at home when she was seven years old and moving on to guitar lessons when she was 12. "That's when the seed was sown, though I did my MBA and worked in a corporate job," she explains. But it was also this corporate job that brought Joshi to Mumbai in 2015, where she got enough support (even financial via voice-over jobs) to switch to music full-time.

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And so, the songs are a collection of turning points in Joshi's life — there's one called Last Ticket Journey that talks about letting go of the dead weight that holds people down. "It could be so­meone else's opinion of you that you've interna­l­ised to such an extent that you believe it. Cutting off is crucial. There's also a tongue-and-cheek take on toxic relationships where your partner makes you feel like they are doing you a favour by being with you, but can't digest the fact that you have moved on, so they come back to mess with your head," explains Joshi, highlighting the need to believe in yourself.

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