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Before the curtain falls

Updated On: 13 June, 2019 07:02 AM IST | Snigdha Hasan

Ahead of Kaumudiu00c3u00a2u00c2u0080u00c2u0099s show in the city, Kumud Mishra on essaying the role of an ageing thespian for six years, and the shrinking space for debate

Kumud Mishra (in red), Sandeep Shikhar, Gopal Datt and Shubhrajyoti Barat in scenes from the play

AN actor who has ruled the stage for decades is in his twilight years. He is losing his eyesight, and is preparing for his final three performances. But in this play within a play, there is another layer of emotions at work — those shared between Satyasheel, the ageing thespian, and his son and actor Paritosh, who has grown up grappling with the void created by an absent parent. The estranged father and son portray Eklavya’s ghost and Abhimanyu respectively, but that’s not where the reference to the Mahabharata ends. For, throughout the production, the moonlit night when Krishna delivers his sermon to Arjuna is used as the central trope. That’s the premise of Abhishek Majumdar’s Kaumudi (moonlight), a play that opened in 2014 and is Bengaluru-based Bhasha Centre’s longest-running production.

Mumbai theatre

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