Bijay Parida at work

A large chunk of this time goes into preparing the canvas and paints, all of which have to be made from scratch. To make the canvas, Parida soaks and grinds tamarind seeds, cooks the gluey paste and mixes it with crushed stones, which is then used to cure the cotton or tussar silk canvas.
The colours are made by painstakingly grinding minerals, such as white from conch shells, red-brown from geru or red ochre, and black from kerosene lamp soot. Although pattachitra uses a rainbow of colours, the three shades form Parida’s signature palette. “These colours are subtle; so they allow a softer, more nuanced expression. That’s why people still like black and white photos in this age,” says the veteran artist.

Poll

Who will win the Punjab Elections?

BJP 32.86%

AAP 41.43%

INC 25.71%

Submit

View All In Poll

But participants won’t be expected to grind the colours or cure the canvas. “We will use regular paints and paper, which will also be easier for first-timers,” assures Parida.

He will also demonstrate his award-winning technique of palm leaf engraving at the workshop, using an iron stylus that he will supply to the class. He hopes the sessions will give a boost to both the Odissi art forms. “Survival has never been easy for indigenous art forms, and now it’s harder because art has become more commercial and less thoughtful. People no longer want to buy large paintings, preferring to buy three to four smaller ones instead, so they have more variety,” he observes.

On: August 25, 3.30 pm (workshop); August 24, 6 pm and August 25 to 29, 11 am to 7 pm (exhibition)
At: ARTISANS’ Gallery, Kala Ghoda.
Cost: Rs 1,500

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates