Hussain with father Ustad Alla Rakha. He writes, "To start work with the Guru’s permission and blessings is to ensure success"

More than the maquette, the diary fascinated Singh. It not only contained her notes on how to go about making the book, but also seemed to predict her future actions. "It was a strange feeling. The opposite of a déjà vu, no?," she says, standing up to walk towards the display. Then, she shows us a line that reads, 'base it on envelope size mailer!' To our right, the wall has copies of the posters — each can be folded and fit into an envelope. "I feel like I've come full circle because I never made prints of the Zakir work. It was meant to be a book and after all these years I can have an exhibition, which is a book. Maybe nobody cares about it but I do. That's why I call myself an offset artist."
The genre of photo books, contrary to monographs, didn't exist in the 1980s. In fact, when she embarked on this mission with Hussain, when the norm in the field was photojournalism or advertising, she faced some disapproval. "My colleagues told me that I couldn't become a photographer by photographing one person. And I did, and how!" she says, flashing a wide smile.

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Can you ever capture one image that encapsulates all the experience a maestro possesses? "You can't do that in a still photo. I am in no means saying that this is Zakir's life. This is the Zakir that I experienced and that he chose to share with me, at that time," she reveals. The artist maintains that Hussain was very supportive of her exploration. He didn't like to pose and neither did Singh suggest any. "The pictures were sort of incidental. I didn't have to think of whether he would like it because I was making it in collaboration with him."

The page of Singh's diary which foretells the work she would go on to do

Singh's encounters with the artiste plays like a movie. Looking back, she thinks she could make it happen because from the first day, she understood that photography is akin to raw material — "You can have the best raw vegetables but it doesn't always make a great dish." At end of this encounter, she takes a moment to sign our copy. She ponders before penning down the word 'riyaaz'. It's one that her guru, Hussain, equates with breathing. And so, she makes clear her purpose in the world. "I don't want to be a print on the wall. I don't want to be a book in your bookshelf. I want to be something in between."

On February 9, 11 am to 7 pm
At ARTISANS', 52 – 56, Dr VB Gandhi Marg, Kala Ghoda.
Call 9820145397
Cost Entry (Free); Zakir Hussain Maquette (Rs 3,500)

Dayanita Singh

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