Q. Blurred Lines received criticism for its lyrics. What do you feel about the track?
A. There were lots of women who wanted to understand what we meant by those lyrics. But the two lines go: ‘You don’t need no papers, that man is not your maker’. Boom! Lyrically, you’re done: there’s nothing else to talk about. Plus, that treatment was written and shot by a female director, who’s a feminist. I want to support women, but that doesn’t mean I won’t make another song where girls’ behinds are everywhere.

Q. At the end, you’ve said that your album GIRL is an ode to women...
A. I have all types of fans in terms of demographics, but women have distinctively been a strong force and huge inspiration. Essentially, they’re my bosses. One cannot argue that they have paid for everything I have. They’ve been so good to me and consistent. I’m totally imperfect but they have never left my side.

Q. How different is it from your first album that came out quite a few years back?
A. GIRL is a bright, smooth demonstration of musical munificence that features a diverse cast of some of my favourite artistes. Largely, I have taken inspiration from my music and myself. I wrote the songs of In My Mind (his previous album) out of ego. Talking about the money I was making and the by-products of living that lifestyle. There was no purpose. I was so under the wrong impression. It was the universe saying, ‘Look, you have a voice; you have an opportunity. What are you going to do with this?’ After In My Mind failed, I decided that the solo-artist path was not for me. And then, in the spring of last year, I got a call from Daft Punk’s label.

Q. How did your work with Daft Punk happen?
A. When they got me into the studio, that track was done and they just asked me to write on it. I think I wrote it in an hour, but then we did a bunch of takes so they got exactly what they needed. Those guys are perfectionists.

Q. Did you always feel Happy would become this big a hit?
A. Seriously, I find myself trying to be cool about it, but I’m really like… whoa! I’ve always produced for artistes going through this level of success, I didn’t know it would be this crazy. I’m like a kid with a sweet tooth waking up in Willy Wonka’s Factory.