This play, with multiple narratives and a universal theme, will be retold in Hindi as Bahar Daanav Dus Ya Sau, Bheetar Mare Toh Phoote Pau! To be staged by The Drama School, Mumbai it has been directed by Tushar Pandey, who has trained at the National School of Drama, New Delhi and the London International School of Performing Arts.

Scenes from The Dragon

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Founded by theatre professionals in 2013, The Drama School, Mumbai brought 18 faculty members together to train 16 students in acting, theatre theory, and devising and direction in its first year. This year, 13 students from across the country have trained with 25 faculty members for six months.

Tushar Pandey elaborates on the plot, “This play was banned after its first performance in post-war Stalin’s Russia, for its anti-authoritarian themes. What we are exploring is the concept of submission: what it is in us that surrenders so quickly.”

He adds that The Dragon touches upon inter-related concepts such as leadership, power, and the mechanics of it. “While the issues are universal, they’re especially relevant now as the world and our country is undergoing tremendous changes. But we don’t want to highlight a particular issue,” he emphasises.

Pandey admits that the main change he brought into this production is the note on which the play ends. “Shvartz’s text is rooted in a specific time and context and reflects closure. I have interpreted the script to leave on a more uncertain note. This is done in the third act, which is not just different performance-wise, but conceptually as well. The current script is technically twice removed from the original — it’s a Hindi translation of an English translation of a Russian script,” he says.

Pandey chose Hindi as the language to stage the play because the students were most comfortable with it. “It also makes the play more accessible to the audience,” he felt.