The director's command over his art is particularly evident in his deft telling of the protagonist's struggle with his sexuality. "The blend of sport and sexuality stood out in this novel, and that's a largely untapped theme for screen. So far, we've seen how cricket impacts one's social mobility. But to deal with sexuality from the prism of the popular sport was attractive to me."

Netizens have been quick to point out that the latest instalment is markedly sharper than the first one, which was helmed by Udayan Prasad. "How can two directors be compared?" Boolani questions, "He battled his own challenges; I did mine. Eventually, we both serviced the story. I hope my good work materialises into better and more work. Even with 24 [the TV series], my tryst was to get better technicians with a high-concept story. There is a huge gap between TV and movies in this country."

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Also Read: Selection Day Web Review: Seems like a meaty cricketing broth

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