Since then, the humble instrument has provided the background score for many a cultural and religious function in Marathi homes. “Only 30 people from our community in the city truly know how to play the instrument,” Gurav tells us over the phone from Jogeshwari, “It is taught to many people but mastery comes with ancestral knowledge, and a touch of the divine. My father was blessed with the gift, and he passed it on to me. My youngest, who is barely eight years old, has taken to it but his lungs need to be strengthened before serious training starts.” 

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The instrument requires one to steer clear of the obvious bad habits such as smoking cigarettes, gutka, bidi as well as rigorous exercises vital to regulate and manipulate breath. “We do a particular pranayam that involves placing one end of a straw in a nostril and the other end in a bowl filled with water. We then breathe through the other nostril, while simultaneously blowing bubbles in the water with the other one,” explains Gurav.

The tutari has seven shringas or tunes, of which rajshringha is considered the most revered, connected as it is to Chhatrapati Shivaji Maharaj’s warfare. “During Maharaj’s time, the tutari announced his approach to the fort so that gates be raised promptly, as he was usually pursued by enemies,” Haridas Gurav, Founder, Maharashtra Paramparik Sanskrutik Lokhwadh Tutari Vadak Mandal tell us.

Today, the tutari is played only on occasion. “We are called in to play when statesmen visit the city or at a large political rally,” says Haridas. “The unmistakable tutari lalkar is deeply entrenched in the state’s history and identity. It’s a sound that leaves no heart uninspired.” It is also played at weddings, an aubade for gods, as a community wake-up call, and to request god’s blessing on a village.

In fact, it is believed that unless a gurav plays it at your last rites, the soul is unable to depart. It needs this melodious goodbye.