Deo says while long-format storytelling allows a director to explore stories that might not find takers on the big screen, many content creators have begun to follow the restrictive structures of theatrical business. “We are in a good and a bad place. It’s good because the format allows us to do so much more. But at the same time, [OTT content] has started getting into a rut. Once upon a time, it was an [avenue] where we could have made great cinema. But now, suddenly, we are [being dominated] by the need for big numbers. So, we need to [cast] big actors in the projects. Unfortunately, we are moving into the same template [as theatrical movies]. As OTT evolves further, hopefully, it will get to a better place,” says the filmmaker.

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What’s next after Brown? A sequel to Delhi Belly (2011), perhaps? Fans have constantly hoped for a second instalment, but the director has stayed away from revisiting the black comedy. Deo reasons, “From the day Delhi Belly released to today, I am asked about a sequel. The way I make films is organic; I believe [a fitting story] has to come to me.”